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  • 2001. MEDIK. KAYL
  • 2001. MEDIK. KAYL
  • 2001. MEDIK. KAYL
  • 2001. MEDIK. KAYL
  • 2001. MEDIK. KAYL
  • 2001. MEDIK. KAYL
  • 2001. MEDIK. KAYL
  • 2001. MEDIK. KAYL
  • 2001. MEDIK. KAYL
  • 2001. MEDIK. KAYL
  • 2001. MEDIK. KAYL
  • 2001. MEDIK. KAYL

2001. MEDIK. KAYL

PHOTO ESSAY BY MAXIME DELVAUX

From the Publisher

From its early days, architectural photography has been a fundamental tool for the documentation of architecture, the city and the landscape, communicating with a vast audience. But things are changing rapidly today and the role of photographers is becoming more complex: their images do not only document, but to an increasing extent also interpret constructed space. There is less discussion and less writing about contemporary architecture. The visual languages are quickly filling the gap. Narrations in images by photographers are taking on a fundamental role, day by day, for the comprehension and transmission of contemporary architecture. These very personal interpretations can have a decisive impact on our perception of constructed space. This series examines architectural photographers who through their “lenses” are able to offer us privileged “viewpoints” for a better understanding of the space in which we live.

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2001.
DARIO PASSI  PIAZZA MANCINI  ROME 1981
ARNE JACOBSEN  ST. CATHERINE’S COLLEGE OXFORD 1962  PHOTO ESSAY BY DANIEL HOPKINSON
GIOVANNI MUZIO CASE IN VIA GONZAGA MILANO 1952  PHOTO ESSAY BY LUCA SIRONI
ALBERTO CAMPO BAEZA MOLINER HOUSE ZARAGOZA 2008
LOUIS I. KAHN NATIONAL PARLIAMENT OF BANGLADESH 1962  PHOTO ESSAY BY CEMAL EMDEN
CHRIST & GANTENBEIN NATIONAL MUSEUM ZURICH 2016  PHOTO ESSAY BY RORY GARDINER
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