divisare

  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ

RASMUS HJORTSHØJ

NAOSHIMA FERRY TERMINAL

SANAA

From the Publisher

DIVISARE BOOKS nos. 37 to 42 are visual essays by Danish architect photographer Rasmus Hjortshøj who, in his own proverbial desaturated colour palette, pays tribute to the architectures of Herzog & de Meuron, Toyo Ito, MVRDV, SANAA, and the landscape in the West Coast of Jutland.

Save this Book in your Reading List
MONADNOCK  ATLAS HOUSE EINDHOVEN 2016
BRUTHER  NEW GENERATION RESEARCH CENTER CAEN 2015  PHOTO ESSAY BY MAXIME DELVAUX
CHRIST & GANTENBEIN KUNSTMUSEUM BASEL 2016  PHOTO ESSAY BY RORY GARDINER
LOUIS I. KAHN NATIONAL PARLIAMENT OF BANGLADESH 1962  PHOTO ESSAY BY CEMAL EMDEN
2001. FANY. DUDELANGE PHOTO ESSAY BY MAXIME DELVAUX
GIO PONTI: A CRITICAL CONSIDERATION BY JOSEPH RYKWERT
×